The Origin of the World

Enter through the narrow gate.  The gate that leads to damnation is wide, the road is clear, and many choose to travel it.  But how narrow is the gate that leads to life, how rough the road, and how few there are who find it – Matthew 7:13-14.

Is there a more provocative image in the history of painting?  Courbet’s L'Origine du monde (1866) was never intended for public display but bloggers have made it ubiquitous on the Web. His other provocative painting that year is known variously as Le Sommeil (Sleep) and Les Dormeuses (The Sleepers), and we know what they've been doing.

Courbet has been poorly served by biographers and art historians. From a "boorish provincial" he is now "the most arrogant man in France" and "an egomaniac" - patronizing judgments that mimic his 19th century critics as much as what Courbet said about himself.

For it is his sense of irony and his penchant for being a troublemaker (like those other troublemakers Manet and Daumier) that are most misunderstood. His mocking of the art establishment and the religious authorities seems to bring out the worst in people.

When I am dead, let it be said of me: 'He belonged to no school, to no church, to no institution, to no academy, least of all to any regime except the regime of liberty.

Other links:

• Early on, Courbet illustrated George Sand's Lélia.
• He was much inspired by contemporary photography - Baudelaire sniffed that photography had become "the refuge of failed painters with too little talent" but its impact upon 19th century painting and literature was undeniable (see Lewis Carroll).
• Also see the earlier Delacroix and Ingres.
• For a Daumier satire.
• For other lesbian paintings here.